←DesignKahn, Verity

Design.

Decades of hands-on graphic design experience across print, brand identity, and physical spaces — crafted to give every institution an unmistakable visual voice.

Too many educational and cultural spaces settle for generic templates, corporate clip-art, or visual clutter that quietly erodes their authority.

My design practice covers the entire visual spectrum for libraries, museums, and schools — from high-contrast SaaS identities and custom typography suites to monumental historical charts, architectural signage, spatial wayfinding, and curated poster series.

Working fluidly across Adobe Illustrator, Photoshop, and digital design environments, I bring deep technical mastery and sharp visual sensibilities to every project. Rather than imposing a single rigid style, I build bespoke visual environments tailored to the precise character of each space. I combine intentional color logic, clean layout hierarchy, and editorial clarity to ensure that every poster, sign, interface, and brand mark communicates deep respect for the audience and transforms everyday rooms into active zones of wonder.

Identities.

Every brand identity is built as a complete, scalable design system. Combining bespoke typographic pairs, bold color logic, and iconic visual marks, these identities move seamlessly from digital software interfaces to physical signage, print editions, and environmental design.

The heimdl mark: a fake barcode crossed by a lemon bar that makes it an H, reversed out of petrol.

The Lux Libris crest: an origami dove rising from an open book inside a thin arc, in mint and cyan.

The Saint Gertrude House press mark: a walking cat reaching toward an outstretched hand, in burnt orange above didone capitals.

The Mini Modern mark: three hand-cut squares, high-contrast monochrome with one red and one yellow accent.

The Mini Museum Project monogram: interlocking serif capitals in high-contrast black on cream.

Visual language & spatial signage

Graphic design in a school or library isn't there to decorate blank walls — it is the silent instructor that guides behavior, builds culture, and signals that a space is serious.

When environmental graphics are crisp, witty, and beautifully executed, students treat the room with respect. From custom wayfinding and study-drawer labeling to high-art rules series, every sign is designed to elevate the room into an inviting, high-agency environment.

No running in the library, horseback riding is also considered unwise: Jacques-Louis David's Napoleon Crossing the Alps.

Do not throw the books, and definitely no kicking books off swings: Fragonard's The Happy Accidents of the Swing.

Treat books with care, especially when Blue Horses are around: Franz Marc's Blue Horse I.

No water in the library, especially Great Waves: Hokusai's The Great Wave off Kanagawa, books tumbling through the surf.

No shouting in the library, squawking is also discouraged: a John James Audubon plate from The Birds of America.

Keep the library food free, no repasts for lions either: Henri Rousseau's The Repast of the Lion.

Exhibition visuals & graphic environments

Exhibition design requires a distinct visual discipline: translating complex historical, scientific, and literary narratives into bold, immediate visual encounters.

Whether rendering a century of wartime history onto a corridor poster or designing full-room wall graphics for an immersive show, these visual systems turn complex research into accessible, striking graphic art that stops people in their tracks.

Poster for Seeing is Deceiving, the perception and illusion exhibition.

Poster for In Their Hands, the coins of the New Testament exhibition.

Poster for The Writing Revolution, from movable type to the digital age.

Poster for America 250, the Declaration of Independence at 250.

Poster for The Fear Lab, on the psychology of fear.

Poster for Our Incredible Moon, on lunar science and exoplanets.

Poster for The Great War, the doughboys and the eleventh hour.

Poster for the Harlem Renaissance exhibition, Voices of Harlem.

Poster for Ancient Egypt, guardians of the afterlife.

Visuals that teach

Great visual graphics do not talk down to children. Every line, color choice, and historical detail in an educational poster serves a precise pedagogical purpose.

When complex theology, Church history, and fine art are presented with editorial polish, young people respond to the quality. These prints and cartographic works turn deep historical and spiritual context into permanent visual anchors for classrooms, libraries, and homes.

St. Francis of Assisi holding a dove and a cross, patron saint of animals, birds and the environment, on an apricot watercolor field.

St. Gertrude, patron saint of cats, travelers and gardeners, on a lilac watercolor field.

St. Catherine of Siena, patron saint of nurses, Italy and Europe, on a marigold watercolor field.

St. Therese of Lisieux, patron saint of florists, missionaries and the sick, on a rose watercolor field.

St. Ignatius of Loyola, patron saint of soldiers and spiritual retreats, on a pale teal watercolor field.

St. Jerome at his desk, patron saint of librarians, on a violet watercolor field.

St. Teresa of Avila, patron saint of mystics, sufferers and religious orders, on a blue watercolor field.

St. Gregory the Great, patron saint of musicians, students and teachers, on a deep blue watercolor field.

St. John of the Cross, patron saint of mystics and contemplatives, on a pale green watercolor field.

Pontificum Mundi · Drag to explore · scroll or pinch to zoom

“All the posters and decorations didn't just finally organize the library, they completely changed how the students treated the library.”

— School administrator

Who this design practice is for

Bespoke visual systems, environmental graphics, and brand identity crafted for institutions that value clarity, beauty, and audience respect.

Schools and dioceses — custom library signage, rules poster series, saint portrait sets, and educational wall graphics that turn plain hallways into vibrant learning centers.

Software and platforms — complete brand identity systems, custom typography, icon suites, and interface design for educational and institutional SaaS.

Museums and cultural spaces — exhibition poster suites, environmental graphics, large-format historical timelines, and fine-art cartography.

When you respect the audience's visual environment, they respect the institution.

Need custom identity, signage, or exhibition graphic design?

Available for bespoke brand identities, environmental graphic design, custom poster suites, fine art prints, and spatial wayfinding projects for schools, libraries, and museums.

hello@veritykahn.com